Historical Archive – Scandicci Cultura http://scandiccicultura.org/ Sat, 04 Sep 2021 06:19:40 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://scandiccicultura.org/wp-content/uploads/2021/05/default1.png Historical Archive – Scandicci Cultura http://scandiccicultura.org/ 32 32 New-York Historical Society celebrates 20th anniversary of September 11 https://scandiccicultura.org/new-york-historical-society-celebrates-20th-anniversary-of-september-11/ https://scandiccicultura.org/new-york-historical-society-celebrates-20th-anniversary-of-september-11/#respond Sat, 04 Sep 2021 00:13:19 +0000 https://scandiccicultura.org/new-york-historical-society-celebrates-20th-anniversary-of-september-11/ America will celebrate the 20th anniversary of the 9/11 attacks next week. To honor this moment, the New-York Historical Society, which has existed as a cultural institution since 1804, will stage a series of installations and film screenings that strive to provide an understanding and context around this that New Yorkers collectively experienced on horrific […]]]>

America will celebrate the 20th anniversary of the 9/11 attacks next week. To honor this moment, the New-York Historical Society, which has existed as a cultural institution since 1804, will stage a series of installations and film screenings that strive to provide an understanding and context around this that New Yorkers collectively experienced on horrific History Day. . The experience will run throughout Saturday, September 11 and will include the ethically-filled relics, including a fire truck door damaged by first responders arriving at the scene and candles, notes and memorabilia recovered from the monuments memorials erected immediately after.

RELATED: Ways to Mark 9/11 in New York City in 2021

Time Out spoke with Margi Hofer, Vice President and Museum Director of the New York Historical Society, on the institution’s decades-long commitment to the legacy of 9/11 and highlighting New York’s resilience through this special commemoration.

What can visitors expect from these facilities?
One of the main features will be a cinematic experience in our auditorium which was created from the Here Is New York archives. It uses around 175 images that were put together as part of an effort to solicit photographs from amateur and professional photographers and they were exhibited in SoHo shortly after the 9/11 attacks. It’s an incredible archive and what we’ve put together really traces the experience of that day and the days and weeks that followed. The works address the attacks themselves, the collapsing buildings, the terror of those present, the heroic rescue efforts. One of our special facilities is a crashed platform from Rescue 2, an elite rescue unit within the FDNY that was one of the first units to respond. All seven men were killed in the collapse. Overall the facilities are a very moving experience reminiscent of what it was like to be in the city at that time.

How did the museum go about bringing together the materials presented in the exhibition? Are there many artifacts already in the possession of the museum?
These are all items that are in our collection. The Historical Society immediately began collecting after the event and worked closely with many agencies across town – the FDNY, NYPD, FBI – and gradually added items to our collection. In addition, many people also donated items. Parts of the rescue fire truck were collected from the Fresh Kills landfill and are on deposit at the Historical Society courtesy of the FBI.

Has the museum organized other reflections on 9/11 and how does this commemoration differ from others?
It was from November 2001 that we staged our premiere and we have done dozens since. Since the opening of the 9/11 museum, our activity of collecting, interpreting and exhibiting around this event has really declined as the 9/11 museum is entirely dedicated to this and we recognize that it is the best equipped. to do it. A number of collectibles that we collected were transferred to the 9/11 museum and several key staff were actually from the Historical Society, so there is a very close connection between our two institutions.

There are so many commemorations that are going to take place next month. What does the New-York Historical Society hope to add or contribute to national reflections?
One of the things we can provide is the historical context. This month we’re kicking off an audio tour of our permanent collection that focuses on the theme of resilience and recovery in New York City. We take a look at September 11, the pandemic, and other events throughout history, including the War of Independence and the British occupation of New York, the Great Depression, the 1970s fiscal crisis, and the AIDS epidemic. . From the events that New Yorkers were experiencing at the time, they probably wondered if the city would ever be the same or rebound. I think what we can offer is the opportunity to see September 11 through a broader and more historic lens.

Our relationship with 9/11 in the larger context of modern history and American foreign policy has changed and become more complicated over the past two decades. For this reason, was there a deliberate decision to focus on certain parts of 9/11 and its legacy versus other parts?
No, I think our impetus around this commemoration was to focus on all aspects of this event and its aftermath. So everything from the Barclays Street sanctuary which shows how people reacted to the event, the fire truck door which is a tribute to the rescuers and the deceased. We are looking at the event as a whole and not trying to delve into one aspect.

What other exhibits can visitors expect at the New-York Historical Society this fall?
One of our main exhibitions which opens on October 1st is Notorious RBG: The Life and Times of Ruth Bader Ginsberg. As New York was her hometown – she was born in Brooklyn – and a hero to many, I think this exhibit will be of great interest. We’re also opening an exhibition of Scenes of New York City that features views of the city from the late 19th century to the 20th century and features works by Georgia O’Keeffe, Norman Rockwell and Andy Warhol and other artists. And we have Art for change which examines the urgent problem of homelessness in the city and examines the ways, historically, that art has been used to express and amplify the voices of homeless people.


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The queer past is deleted on eBay https://scandiccicultura.org/the-queer-past-is-deleted-on-ebay/ https://scandiccicultura.org/the-queer-past-is-deleted-on-ebay/#respond Fri, 27 Aug 2021 22:10:46 +0000 https://scandiccicultura.org/the-queer-past-is-deleted-on-ebay/ One day, nearly twenty years ago, historian Vi Johnson won an auction on eBay for a numbered first edition of “Sex Life in England Illustrated”, by Iwan Bloch, one of the first sexologists. (Among the true facts of Bloch: he located and published the manuscript of the “Marquis de Sade”The 120 days of Sodom“, thinking […]]]>

One day, nearly twenty years ago, historian Vi Johnson won an auction on eBay for a numbered first edition of “Sex Life in England Illustrated”, by Iwan Bloch, one of the first sexologists. (Among the true facts of Bloch: he located and published the manuscript of the “Marquis de Sade”The 120 days of Sodom“, thinking long lost.) Johnson recalled that, afterwards,” I was talking to the buyer I bid against, or technically sniped against, thinking I had a new friend to talk to about finding some money. eroticism. But he thought I was that he was — a buyer for the right. The rival bidder was paid to find and destroy erotic books on eBay. Johnson, who “turned out to be both a lesbian and a pervert in 1974,” was stunned, and after that she devoted herself to preserving stories of sexuality and making them accessible. “I swore if I could find it, grab it, steal it, buy it, borrow it, beg it, I was going to save it.”

Johnson and his wife, Jill Carter, now have some forty thousand books and artifacts in their Carter / Johnson Leather Library and Collection, located in Newburgh, a suburb of Evansville, Indiana. The first acquisitions came from friends and friends of friends within the BDSM scene, but for years Johnson has depended heavily on eBay for what is available and for acquisitions. The collection, filled with ashtrays and shot glasses from old-fashioned leather bars, kink talk shows and thousands of dirty books, overflowed from Johnson and Carter’s walk-in brick home in a second home. Johnson recently set up a “researcher’s room” in the new excavation, to accommodate researchers who wish to study the archives. “Indeed, you come to Grandma’s,” she said. “It’s just that your grandmother is as crooked as an old clothes hanger.” That afternoon, she told me, a visiting writer had just moved in to explore the intersections of architecture and lesbians.

Recently eBay has changed company policy in a way that will make it difficult to acquire erotic items. In May, the platform banned the sale of “sexual material” – including magazines, films and video games – and closed its “Adults Only” category to new listings in the United States. There are a few explicit exceptions, including Playboy; Penthouse; the gay fanzine End; the satirical erotic magazine run by women On our back; and something called Fantastic men, which appears to be a misspell of the PG-rated men’s style magazine Fantastic man. “Lists of nude art that do not contain suggestive sexual poses or acts are allowed,” the policy says. Materials conflicting with such distinctions – which could likely include anything from reproductions of Michelangelo’s “The Expulsion from Heaven” to back copies of black thumbs-are, apparently, now beyond pallor.

The ban appears to be linked to the House of Commons Anti-Online Trafficking Act and the Senate Prohibition of Sexual Trafficking Act, known together as FOSTASESTA, an effort by victims’ rights defenders and right-wing activists to crack down on sex work. One of the features of the legislative package was to make websites responsible for hosted content that could “promote or facilitate the prostitution of another person”. After the signing of Donald Trump FOSTASESTA in law, in 2018, Craigslist shut down its personal contact lists, Tumblr banned sexual content, Facebook banned the formation of groups organized around sexual encounters, and Instagram stepped up its monitoring of user content, especially that which includes any suspicion of human nudity. Also relevant: eBay recently started using Dutch fintech company Adyen for electronic payment services. Like many payment processing companies, Adyen refuses to participate in the sale of adult equipment. Similar concerns from payment providers were said to have been at the center of the recent move by OnlyFans, the content subscription platform, to ban sexual content – a move they overturned after considerable outcry. led by sex workers who, in large part, helped the company build a valuation of around $ 1 billion. In a written statement regarding eBay’s policy change, a spokesperson said, “eBay is committed to maintaining a safe, reliable and inclusive marketplace for our community of buyers and sellers and we are continually re-evaluating the categories. of products authorized on the platform. “

Brooklyn Museum curator Drew Sawyer said he had “often turned to eBay for prints, magazines, zines and photographic reproductions” when preparing for exhibitions. “Even if-if– they are archived in libraries, they are often easier to buy on eBay from a logistical and registrar point of view. And also the cost. For an upcoming retrospective, Sawyer won a copy of photographer Jimmy DeSana’s self-published 1979 monograph, “Submission: Selected Photographs.” It’s one of a few hundred copies ever made, and a crucial document of a time when queer sexuality and conceptual art intertwined. “DeSana is an artist whose work would fall under this new policy,” Sawyer said.

By researching his book “Bound Together: leather, sex, archives and contemporary artAndy Campbell, associate professor of critical studies at the Roski School of Art and Design, used both eBay and the Johnson / Carter Library, in addition to other archives across the country. “Bound Together” argues that queer archives are particularly precarious, as they often lack institutional support structures and their content contradicts community guidelines. Yet by making queer culture accessible, they also increase the likelihood of that more positive erasure: assimilation. The same kind of harness that once spanned a hairy chest at Tony DeBlase Dungeon master the magazine ends, some four decades later, with Taylor Swift in a paparazzi snapshot or Timothée Chalamet on the red carpet. Campbell can still draw these historic lines of sex, style, and commerce without eBay, but it’s harder. “When you look at an issue of the leather magazine Drummer, I think of all the coordinated efforts of so many writers, artists, readers and editors to represent, month after month, their experiences in this community ”, he told me by e-mail. . “With Dungeon Master, which was an almost solo labor of love for DeBlase, I think of the radical abilities of a highly motivated person to educate and titillate their community. That one or the other exists is a miracle. When it comes to finding them, “It’s a shame eBay is no longer that platform.”

About half of the source material for Evan Purchell’s 2019 collage film, “Ask Any Buddy” came from individual sellers on eBay: One hundred and twenty-six porn movies made in New York, San Francisco, Los Angeles, and Paris, between 1968 and 1986. In his eBay search for the film, Purchell also found an extremely rare copy of “Last Tango in Hollywood,” from 1974: A Wild Side Against the Vietnam War, billed as a blue film. “It was made by a native cheesecake model named Cathy Crowfoot,” Purchell told me, on Zoom from Austin, Texas. In an industry shamefully reluctant to employ women – and even less likely to offer a boost to Indigenous women – “Last Tango” remains one of a kind, a film according to Purchell is “certainly the first gay porn film directed by a woman. wife “.

On eBay, Purchell also found copies of leather magazines like Drummer; often he stumbled across multiple copies of the same issue, bought the lot, then re-entered them individually to help fund his collection and keep the issues in the hands of other connoisseurs. He learned about eBay’s new policy when his ads weren’t showing. “Reviews like American Bear, Bear, Daddy Bear– it was for a subculture that emerged in the 90s, and they provided a safety net and a social net, ”Purchell explained. “A problem of Drummer has cheesecake, but also advice and a correspondence section in prison. For example, the forty pages of Drummer Issue 3, October 1975, features a how-to guide and personal ads for men from Alabama and Australia. There’s a piss photo, but there’s also an article on police violence against members of Homophile Effort for Legal Protection and a sharp review of the bodybuilding book “Pumping Iron”. Page 38 features an advertisement for the neo-Nazi gay group the National Socialist League, including its slogan, which is a hijacking of the lyrics from the musical “Cabaret”: “Tomorrow is yours!” At drummer Page of letters to the editor “Malecall”, the magazine condemns the advertisement but defends its publication, using the same terms that a free speech radical could use around 2021: “By denying any group the right to a voice. . . we violate the very freedom we are trying to defend.


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The Internet Archive has fought for 25 years to prevent the disappearance of what is on the web – and you can help https://scandiccicultura.org/the-internet-archive-has-fought-for-25-years-to-prevent-the-disappearance-of-what-is-on-the-web-and-you-can-help/ https://scandiccicultura.org/the-internet-archive-has-fought-for-25-years-to-prevent-the-disappearance-of-what-is-on-the-web-and-you-can-help/#respond Tue, 24 Aug 2021 12:02:45 +0000 https://scandiccicultura.org/the-internet-archive-has-fought-for-25-years-to-prevent-the-disappearance-of-what-is-on-the-web-and-you-can-help/ This year the Internet Archives At 25 years. He is best known for his pioneering role in archiving the Internet via the Return machine, which allows users to see what websites looked like in the past. Increasingly, a large part of everyday life takes place online. School, work, communication with friends and family, as well […]]]>
This year the Internet Archives At 25 years. He is best known for his pioneering role in archiving the Internet via the Return machine, which allows users to see what websites looked like in the past.

Increasingly, a large part of everyday life takes place online. School, work, communication with friends and family, as well as news and pictures, can be accessed through a variety of websites. Information that was once printed, physically mailed, or kept in photo albums and notebooks can now be available only online. The COVID-19 pandemic has pushed even more interactions on the web.

You might not realize that some parts of the internet are constantly disappearing. As librarians and archivists, we strengthen collective memory by preserving materials that document the cultural heritage of society, including on the web. As a citizen archivist, you can also help us save the Internet.

Disappearance certificate

People and organizations remove content from the web for a variety of reasons. Sometimes this is the result of a culture change on the Internet, such as the recent closure of Yahoo answers.

It can also be the result of following best practices in web design. When a website is updated, for example, the previous version is overwritten, unless it has been archived.

Web archiving is the process of collecting, maintaining, and providing continuous access to information on the Internet. Often this work is done by librarians and archivists, with the help of automated technologies such as web crawlers.

Web crawlers are programs that index web pages to make them available through search engines or for long-term retention. The Internet Archive, a nonprofit organization, uses thousands of computer servers to store multiple digital copies of these pages, requiring over 70 petabytes of data. It is funded by donations, grants and payments for its digitization services. More 750 million web pages are captured per day in the Internet Archive Wayback Machine.

Why archive?

In 2018, president Donald trump wrongly claimed via Twitter this Google had promoted on its homepage President that of Barack Obama State of the Union speech, but not his. Archived versions of the Google home page have proven that Google has, in fact, highlighted Trump’s State of the Union address in the same way. Many news organizations use the Internet Archive’s Wayback Machine as a source to verify the facts of these types of claims, as screenshots alone can be easily edited.

A 2019 report from Tow center for digital journalism examined the digital archiving practices and policies of newspapers, magazines and other news producers. Interviews revealed that many news media workers either lack the resources to devote to archiving their work or misunderstand digital archiving as a backup version.

When a news item has disappeared from onlooker website one year after the publication was closed, the Press Freedom Foundation worried about what could happen when wealthy people buy websites with the intention of removing or censoring the archives. It has partnered with the Internet Archive to launch a web archive collection focused on preserving the web archives of vulnerable news outlets – and deterring billionaires from buying this type of material for censorship.

The web searches the Internet Archive’s Wayback Machine for blacklivesmatter.com. Internet Archive Wayback Machine. (Internet Archive Wayback Machine)

Archiving websites that document social justice issues, such as Black lives matter, helps to explain these movements to people of the present and the future.

Archiving government websites promotes transparency and accountability. Especially during times of transition, government websites are vulnerable to deletion with the evolution of political parties.

In 2017 the Library of Congress announcement it would no longer archive every tweet, due to the growth of Twitter as a communication tool. Twitter provides the Library of Congress with the texts of tweets, not shared images or videos. Instead of a complete collection, the Library of Congress now only archives tweets of significant national significance.

A first pastel colored home page that says

Screenshot of the December 18, 1996 archived version of Beanie Babies creator Ty’s website in Internet Archive’s Wayback Machine. (Internet Archive Wayback Machine)

Archived websites that document Internet culture and history, such as the Geocities Gallery, not only are they fun to watch, but they also illustrate how early websites were created and used by individuals.

Citizen archivists

Archiving the Internet is a monumental task, one that librarians and archivists cannot accomplish on their own. Anyone can be a citizen archivist and preserve history through the The Internet Archive Wayback Machine. The “Save page now”Allows anyone to freely archive a single page of a public website. Keep in mind that some websites prevent crawling and archiving of the web through special encoding or by requiring site login. This could be due to sensitive content or the personal preference of the web developer.

Local cultural heritage institutions, such as libraries, archives and museums, also actively archive the Internet. More than 800 establishments use Archive it, an Internet Archive tool, for creating archived web collections. At University of Dayton we keep collections related to our Catholic and Marianist heritage, from Catholic blogs to stories of the Virgin Mary in the news.

Thanks to his Spontaneous event collections, Archive-It partners with organizations and individuals to create collections of “event-specific web content, capturing risky content in times of crisis”.

Likewise, he created the Community Website Program, in partnership with the Institute of Museum and Library Services, to help public libraries create collections of archived web content relevant to local communities.

Today’s websites are the historical evidence of tomorrow, but only if they are archived. If lost, we will lose crucial information about business and government decisions, modern communication methods such as social media, and social movements with a significant online presence, such as Black Lives Matter and #MeToo.

In collaboration with librarians and archivists, you can help ensure the survival of this evidence and safeguard the history of the Internet.The conversation

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YESTERDAY AND NOW: The old Murchison store on Mulcaster St. still looks the same today https://scandiccicultura.org/yesterday-and-now-the-old-murchison-store-on-mulcaster-st-still-looks-the-same-today/ https://scandiccicultura.org/yesterday-and-now-the-old-murchison-store-on-mulcaster-st-still-looks-the-same-today/#respond Sun, 22 Aug 2021 16:00:00 +0000 https://scandiccicultura.org/yesterday-and-now-the-old-murchison-store-on-mulcaster-st-still-looks-the-same-today/ The bay window and first floor changes in the south building likely occurred when the structure was converted into apartments in the 1940s This ongoing series from Barrie Historical Archives Curator Deb Exel shows old photos from the collection and one from today, along with the story behind them. DJ Murchison Store – Mulcaster Street […]]]>

The bay window and first floor changes in the south building likely occurred when the structure was converted into apartments in the 1940s

This ongoing series from Barrie Historical Archives Curator Deb Exel shows old photos from the collection and one from today, along with the story behind them.

DJ Murchison Store – Mulcaster Street

Last week we talked about Duncan John Murchison and his gorgeous Sunnidale Road home, Woodlawn. He was able to afford to build such an impressive estate thanks to the success of his dry goods business.

Murchison, born in Etobicoke in 1833, partnered with Thomas C. Watkins to form Watkins and Murchison, a wholesale company. Their business then grew into The Right House, a successful dry goods house in Hamilton, which continued as a large store until the 1980s.

When Murchison arrived in Barrie in 1868, he purchased property on Mulcaster Street and quickly built his shop.

The lower floors of what is now 28-32 Mulcaster Street would have been Murchison’s store. In 1885, Murchison’s son Duncan Charles occupied the top floor. DC was a partner of Edward J. Hearn and their company, Hearn and Murchison, Barristers, Solicitors, Conveyancers and Money to Loan Office, was located above DJ Murchison’s store on Market Street (now called Mulcaster), with a branch on Potter’s Block in Tottenham.

In the summer of 1889, Duncan Charles Murchison married Minnie Elvira Ball, the builder’s only daughter, George ball, during a brilliantly fashionable ceremony in Collier Street Methodist Church. The interest in this marriage was such, given the importance and social status of the two families, that an hour before the service the building was packed with barely any standing space – the body of the church and the galleries filled with “Barrie’s best citizens and the crème de la crème of their society.”

Needless to say the church was lavishly decorated with rare and fragrant flowers and the bride, attendants, family and guests were all beautifully decorated. The bride and groom walked out of the church, walking on a carpet to cars waiting to take them to the Ball home on John Street (now Maple Avenue) where 100 guests enjoyed an elegant and lavish reception.

In June 1900 Duncan Charles was a partner in the McCarthy, Boys and Murchison law firm, operating from offices in the McCarthy Block on Dunlop Street.

The building on Mulcaster Street remained in the Murchison family until Duncan Sr.’s death in 1900.

By about 1904 the property appeared to have two sections: the three-story building, or north section, had a grocery store on one side and a shoe store on the side closest to Collier Street, in 1907. The south section (now 24-26 Mulcaster Street) would have had a grocery store in the northern half and an engine repair shop in the southern half of the building.

This structure had a second floor balcony at the same time and one unusual fireplace. The changes to the bay window and the ground floor of the south building likely occurred when it was converted into apartments in the 1940s.

Today, the old Murchison store is part of a small stretch of Mulcaster, between Collier and Dunlop streets, which has retained all of its original buildings, except for the old fire station and the Victoria Hotel.


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History of the Atlanta jersey: Hall of Fame players and one Hall of Fame player in numbers 86-90 https://scandiccicultura.org/history-of-the-atlanta-jersey-hall-of-fame-players-and-one-hall-of-fame-player-in-numbers-86-90/ https://scandiccicultura.org/history-of-the-atlanta-jersey-hall-of-fame-players-and-one-hall-of-fame-player-in-numbers-86-90/#respond Sat, 21 Aug 2021 18:00:00 +0000 https://scandiccicultura.org/history-of-the-atlanta-jersey-hall-of-fame-players-and-one-hall-of-fame-player-in-numbers-86-90/ What’s the best jersey number in Atlanta sports history? This simple question took me on a journey through time to find the answer. Icons can be wrapped in any way possible. Whether in a single, crisp number like # 7 (Michael Vick), a classic like # 21 (Deion Sanders, Dominique Wilkins), or a relatively modest […]]]>

What’s the best jersey number in Atlanta sports history?

This simple question took me on a journey through time to find the answer. Icons can be wrapped in any way possible. Whether in a single, crisp number like # 7 (Michael Vick), a classic like # 21 (Deion Sanders, Dominique Wilkins), or a relatively modest number like 31 (Greg Maddux), each of these numbers means something in Atlanta Sports History.

Jersey History Series: n ° 1-5 | Nos 6-10 | Nos 11-15 | No. 16-20 | Nos 21-25 | Nos 26-30 | Nos 31-35 | Nos 36-40 | Nos 41-45 | Nos 46-50 | Nos 51-55 | Nos 56-60 | Nos 61-65 | Nos 66-70 | No. 71-75 | Nos 76-80

Over the next few weeks, I’ll be revealing my finds five jersey numbers at a time. I have looked at each of the major sports franchises in city history, the Falcons, Braves, Hawks, Dream, United, Thrashers and Flames, to come up with the definitive list of jersey numbers and who has worn them.

Before we get to the list, a few rules: a player had to play several seasons in Atlanta to be considered. I did not include any player who played for a franchise while it was located in another city; they must have played in Atlanta.

To determine value and talent, I used a stat related to value for each sport, such as Wins Above Replacement (baseball) or Point Share (hockey). Sometimes I’ll make a subjective call. You might not agree, but that’s the fun of it all, isn’t it? So, feel free to debate in the comments and let’s have fun in the past. Let’s go!

Shirt n ° 86

Photo by Clifton Boutelle / Getty Images

Best player: Falcons TE Jim Mitchell (1969-79)

Honorable mentions: Falcons WR Brian Finneran (2000-10)

Total Atlanta Athletes To Wear No.86: 14

Summary: I don’t blame you if you think I should have swapped the two players listed here; Brian Finneran was # 86 for most of my childhood. But I’m afraid there is a recency bias at work here. Jim Mitchell was the first big tight end in Falcons history, and he was a very good player at a time when tight fins were used in very different ways. A fourth-round pick in 1969, Mitchell made the Pro Bowl as a rookie after starting every game. Mitchell followed suit with the best season of his career, capturing 44 passes for 650 yards and six touchdowns. He made the Pro Bowl for the second and final time in 1972 when he gained nearly 500 yards and scored four touchdowns. Mitchell played in Atlanta for 11 years and finished with 155 starts. During that time, he caught 305 passes for 4,358 yards and 28 touchdowns.

Finneran is a true fan favorite. He was one of the most reliable receivers early in Michael Vick’s career and a good threat in the red zone. Although he’s only been a full-time starter twice in his nine years with the Falcons, Finneran has been a key part of the receiver rotation. As a holder in 2002, Finneran had his best season: 56 receptions for 838 yards and six touchdowns. When he finished his time in Atlanta, Finneran totaled 3,072 yards and 19 touchdowns.

Shirt n ° 87

Philadelphia Eagles vs. Atlanta Falcons

Best player: Falcons BY Claude Humphrey (1968-78)

Honorable mentions: Falcons WR Bert Emanuel (1994-97)

Total Atlanta Athletes To Wear No.87: 22

Summary: Claude Humphrey is without a doubt one of the greatest Falcons defensemen to play for Atlanta, and he is perhaps the best. A quick story: Back in the middle of the 2018 offseason, I started researching historical pieces that I was writing for the coming season. This research led me to discover the historical archives in the team’s office at Flowery Branch. Within that archive (really just a cramped little room), there were books filled with clippings from newspaper articles dating back to the early days of the franchise. I met several on Humphrey, one even mentioning that he was on track for north of 20 sacks that season.

Sacks weren’t an official NFL stat until 1982, so that was my first real idea of ​​how good he was as a passer. Every post mentioned Humphrey, and it was really eye-opening to see how much he was respected while he was playing. The Hall of Famer left Atlanta after registering 94.5 unofficial sacks and had already had 15 in one season. A member of the Falcons Ring of Honor, Humphrey was as good as he gets.

Shirt n ° 88

Scott Cunningham / Getty Images

Best player: Falcons TE Tony Gonzalez (2009-13)

Honorable mentions: Nothing

Total Atlanta Athletes To Wear No.88: 18

Summary: I started the Alge Crumpler part of this series by saying that Tony Gonzalez’s arrival in Atlanta could have been the worst thing that could have happened to his legacy. It might also be the best thing that can happen to Matt Ryan. The Falcons franchise quarterback has said on several occasions that Gonzalez has been instrumental in his development as a young player on and off the pitch. Ryan had one of the best safety blankets in the league during his professional training years, and he made the most of it.

Gonzalez has made the Pro Bowl in the last four of his five years with the Falcons, and he was named to the All-Pro First Team in 2012. He has caught 409 passes for 4,187 yards and 35 touchdowns during those years. five seasons, and he’s been in the Hall of Fame representing the Falcons just as much as the Kansas City Chiefs. Now that means something.

Shirt n ° 89

Best player: Falcons WR Wallace Francis (1975-81)

Honorable mentions: Nothing

Total Atlanta Athletes To Wear # 89: 15

Summary: Wallace Francis is not exactly on the same level as Claude Humphrey or Tony Gonzalez but hey, who is? Francis was in Atlanta for seven seasons and was a full-time starter for five of them. His best season came in 1979 when he caught 74 passes for 1,013 yards and eight touchdowns. Francis is perhaps known for his role in the famous play “Big Ben Right”, where he deliberately flipped the ball to fellow receiver Alfred Jackson, who scored a 57-yard touchdown. That score helped the Falcons beat the New Orleans Saints in the dying seconds and ultimately reach the playoffs for the first time in team history.

Wallace caught 244 passes for 3,695 yards and 27 yards during his time in Atlanta, as well as a game that will live on forever.

Jersey n ° 90

Chuck smith

Best player: Falcons DE Chuck Smith (1992-99)

Honorable mentions: Falcons DT Grady Jackson (2006-08)

Total Atlanta Athletes To Wear No.90: 9

Summary: Chuck Smith is one of the best pass hunters the Falcons have ever had. He had three seasons with double-digit sacks, including a career-best 12 in 1997. Smith was a key part of the 1998 Falcons Super Bowl run, and he had a playoff sack.

I interviewed Smith once for a story, and I remember him talking about the two games he spent with the Carolina Panthers in 2000, his last season in the NFL. He said the number of sacks he had on the Panthers Kerry Collins and Steve Beuerlein quarterbacks over the years had created real animosity between him and half of the locker room. He had made real enemies because he was so dominant against Carolina, which is exactly the kind of mentality every fan wants in a player.

Grady Jackson was, when I first saw him play for the Falcons, the fattest person I have ever seen in my life. Jackson was a bit of a companion during his 13-year NFL career, but some of his best seasons came in Atlanta. While he didn’t play a very flashy role, Jackson kept the blockers out of the Atlanta linebackers and allowed them to be very productive. Jackson was also another bridge between the Michael Vick and Matt Ryan eras, earning him bonus points.

Next step: 91-95

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    Claude humphrey

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Father Marquette’s archives find a new home https://scandiccicultura.org/father-marquettes-archives-find-a-new-home/ https://scandiccicultura.org/father-marquettes-archives-find-a-new-home/#respond Tue, 10 Aug 2021 10:00:41 +0000 https://scandiccicultura.org/father-marquettes-archives-find-a-new-home/ PLYMOUTH, Michigan – The Plymouth Historical Museum has signed an agreement to bring the archives of the Pere Marquette Historical Society, Inc. to the museum. The agreement was signed on August 6. “As a member of the company from the very beginning and has been fortunate enough to know several of the founders of the […]]]>

PLYMOUTH, Michigan – The Plymouth Historical Museum has signed an agreement to bring the archives of the Pere Marquette Historical Society, Inc. to the museum. The agreement was signed on August 6.

“As a member of the company from the very beginning and has been fortunate enough to know several of the founders of the company who have since passed away, it’s wonderful to know that we finally have a home for all the material they worked, then difficult to preserve, “says Thomas J. Gaffney, president of the Pere Marquette Historical Society.” As we enter our 26th year of existence, we can begin to envision a much more stable and rewarding future that encompasses not only the legacy of Father Marquette himself, but encourages the preservation of the material of the successor companies which continued to exploit his old lines. The fact that we now have a home for this heritage in one of the most important communities of crossroads served by Father Marquette is a huge victory for all involved.

The Father Marquette archives were created in 2001 thanks to the donation of several collections from its members. In 2003, the archives made their first major expansion with the donation of the Henry J. Walhout collection of negatives, and were significantly expanded in 2006 with the acquisition of the personal collection of Art Million. The archives were officially named “Arthur B. Million Memorial Archives of the Historical Society of Father Marquette”, following his death that year.

Originally housed in the Joint Archives of the Netherlands at Hope College, the collection was withdrawn in 2011 and has been in storage ever since, with limited accessibility to researchers or the public. A renewed effort began in 2019 to find the archives a permanent home, culminating in the agreement with the Plymouth Museum.

“We are delighted to welcome this wonderful addition to the PHM archives,” said Liz Kerstens, Executive Director of the Plymouth Historical Museum. “Plymouth was a hub for Pere Marquette, as the north-south and east-west tracks crossed here. Once the collection is processed, researchers will be able to delve into the rich history of the Plymouth and Michigan railways. “

The museum is located at 155 S. Main Street in Plymouth. The hours are from 1 p.m. to 4 p.m. Wednesday, Friday, Saturday and Sunday. The archives are currently available by appointment only on Saturdays and Sundays. Processing of the railway records will take time, so please call 734-455-8940 x3 before making the trip. More information is available on the museum website.

The Historical Railway Society was founded in 1995. Members are made up of historians, former employees and their families, model makers and railway enthusiasts. Its subject, the Pere Marquette Railroad Co., was formed in 1900 by the amalgamation of many Michigan railways. Over the years, the Chesapeake & Ohio took more and more control until on June 6, 1947, the Pere Marquette was officially merged with the Chesapeake & Ohio. Almost all of the tracks CSX operates in Michigan today are old Pere Marquette tracks.


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“Our light is on” – Visitors are welcome to the Société historique de Lafayette https://scandiccicultura.org/our-light-is-on-visitors-are-welcome-to-the-societe-historique-de-lafayette/ https://scandiccicultura.org/our-light-is-on-visitors-are-welcome-to-the-societe-historique-de-lafayette/#respond Tue, 03 Aug 2021 23:21:54 +0000 https://scandiccicultura.org/our-light-is-on-visitors-are-welcome-to-the-societe-historique-de-lafayette/ Posted on August 4, 2021 “Our light is on” – Visitors are welcome to the Société historique de Lafayette By Grace Gonsalves The Fayette Historical Society is open to businesses to provide insight into the community’s past. Photo Grace Gonzalves Go down Mt. On Boulevard Diablo, there were people on the sidewalk, an encouraging sign […]]]>
Posted on August 4, 2021
“Our light is on” – Visitors are welcome to the Société historique de Lafayette
The Fayette Historical Society is open to businesses to provide insight into the community’s past. Photo Grace Gonzalves

Go down Mt. On Boulevard Diablo, there were people on the sidewalk, an encouraging sign that the library was open. After the library, down a few stairs, under some soaring books and left onto Golden Gate Way, the sidewalk was empty except for a sign shouting: “The story room is OPEN.”

Three people were seated a few seats in a small, clean room with wardrobes and tables along its perimeter. The Tuesday morning crew. They greeted me warmly.

At first glance, the room seemed a bit small and empty. The volunteer Patrick Kikkert offered me a tour of their offers. In drawers, artifacts ranging from umbrellas to pistols have been revealed.

Unlike a museum, clean and organized space doesn’t seem sterile. The writing on the binders is personal, the stories passed from the mouth of the donor to the mouth of the volunteer.

We walked around the room, from right to left, and the immediate nature of the story was available at our fingertips. As Kikkert spoke, an old brown barrel turned into a young boy’s guilty mistake. The scars on an anvil started out as nasty tears in the metal and turned into a little too much ammo one night on July 4th.

“The story goes that during the Fourth of July celebrations or whenever a particularly festive event took place, he would turn his anvil into an impromptu cannon, fill it with gunpowder and turn it on. Supposedly, in 1865, when news of Lee’s surrender to Appomattox arrived., He [the blacksmith] got carried away and put a particularly heavy load in it and broke the anvil in two. “

The company has occupied this room on the ground floor of the library for 10 years, according to Nancy Flood, volunteer and editorial secretary. “We didn’t have a lot of space before that.… The image files were in the old library,” Kikkert said. “Otherwise, most of the gear would be in people’s garages and attics. There was no central space where we could put them and where people could see them.” ??

The Société historique Lafayette is definitely a place of interactive learning; the people who walk around its doors interact closely with the volunteers. It is a 501 (c) 3 non-profit organization that has been in operation since 1973. “Originally there was a historical committee that was linked to the library,” Flood said.

This description on its website perfectly describes the goals of the company: “We believe in the power of history to ignite the imagination, stimulate thought and provide pleasure. Through our collections and programs, we strive to connect the history of Lafayette to the lives of people. “?

“We’re sort of a hidden gem; we don’t have a lot of traffic,” said Kikkert, who showed this reporter his visitor log, which included a few names over the past few months – then a discrepancy of a year.

Volunteer Sande Hubbs explained to me how the pandemic affected their volunteer staff: “We were all here at the same time but of course with… COVID we shut down completely and then when we reopened it was just in small groups.”

In most cases, visitors to the center are curious about the history of their own property, and are shown aerial photographs of their land in years past, city maps over the years, and so on. .

Less trodden are the oral histories, transcriptions of interviews in society with characters from the city. Many of these oral histories are now available on the company’s website, but the content is more special when read where volunteers can add anecdotes and pointers.

The archives and materials kept in this space are animated by its loyal volunteers who wish to share their discoveries with others.

“It’s wonderful to be a part of Lafayette and its history,” Kikkert said, “and it’s fun helping people who share the same interest.”


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‘Rome Rise’ returns | Daily Rome Sentinel https://scandiccicultura.org/rome-rise-returns-daily-rome-sentinel/ https://scandiccicultura.org/rome-rise-returns-daily-rome-sentinel/#respond Fri, 23 Jul 2021 20:00:00 +0000 https://scandiccicultura.org/rome-rise-returns-daily-rome-sentinel/ Just like the Phoenix, a mythical beast that comes back from its ashes; The same goes for a city website, Rome Rises, which is making a comeback. City Marketing and Events Coordinator Sarah Lokker said the website is a virtual work in progress and will be continuously updated as projects progress. Rome rises – www.romerises.com […]]]>

Just like the Phoenix, a mythical beast that comes back from its ashes; The same goes for a city website, Rome Rises, which is making a comeback.

City Marketing and Events Coordinator Sarah Lokker said the website is a virtual work in progress and will be continuously updated as projects progress.

Rome rises – www.romerises.com – was originally launched as a by-product of branding and marketing efforts as part of one of the Brownfield Opportunity Area projects. “Our hopes are to make this a living document that is continually updated as progress is made across the city, as well as serving as an archive once projects are completed,” Lokker said, who manages and oversees the website.

She said the site is constantly changing and will include up-to-date information so that city residents can keep abreast of major developments.

Rome Rises highlights all the reasons why the city would be a great place to come to live, work, play and develop a business. Rich in history and culture, the site explains how Rome is home to 10 National Register of Historic Places attractions and countless local landmarks, including the Fort Stanwix National Monument; which is ranked in the Top 10 Most Affordable Mid-Size Metropolitan Statistical Areas, while also in the Top 15 Safest and Most Secure.

The site also lists a variety of educational opportunities and municipal and nonprofit agencies that help local small businesses.

Rome is also touted as a ‘bike friendly’ community offering bike rental stations, cycle paths and racks in front of buildings. The arts are also vibrant in the city with the Capitol Theater, the Rome Arts and Community Center, the Rome Community Theater and the Rome Arts Association.

The site explains how Rome houses the pledge of allegiance with author Francis Bellamy buried in the city. And with over 14,000 paper documents, visitors are encouraged to come and take a look inside the Historical Society of Rome and take a stroll through the historic Gansevoort-Bellamy district.

Rome Rises also has a section that updates specific projects, such as the Erie Boulevard Brownfield Opportunity Zone, Rome City Center Brownfield Opportunity Zone, the Waterfront Village of Rome and the Woodhaven project between Floyd Avenue and Park Drive.

There are also ‘flagship projects’ that include the historic Gansevoort-Bellamy or James Street Park, as well as Woodhaven Complete Streets and Erie Boulevard Wheels to Heels to help increase pedestrian traffic in the city center.


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Miami’s 125th anniversary honoring four notable historians https://scandiccicultura.org/miamis-125th-anniversary-honoring-four-notable-historians/ https://scandiccicultura.org/miamis-125th-anniversary-honoring-four-notable-historians/#respond Wed, 21 Jul 2021 03:33:15 +0000 https://scandiccicultura.org/miamis-125th-anniversary-honoring-four-notable-historians/ Written by Marilyn Bowden on July 20, 2021 Publicity Miami 125, a week-long event celebrating the official 125th anniversary of the city’s incorporation, honors four notable historians, all local, recipients of so many awards and other recognitions that listing them all would fill many pages. . Public historian Dorothy Jenkins Fields is perhaps best known […]]]>
Written by Marilyn Bowden on July 20, 2021

Publicity

Miami 125, a week-long event celebrating the official 125th anniversary of the city’s incorporation, honors four notable historians, all local, recipients of so many awards and other recognitions that listing them all would fill many pages. .

Public historian Dorothy Jenkins Fields is perhaps best known for founding the Black Archives History & Research Foundation of South Florida, now known as The Black Archives Lyric Theater Cultural Arts Complex, which not only preserves the rich history of Black Miami, but also serves as a symbol of pride in South Florida and a legacy for future generations.

The inspiration for this achievement came in 1974 when Dr. Fields, then a librarian and reading teacher in the Miami-Dade County Public School System, searched the county library system for books written by African Americans. in preparation for the bicentennial of the United States – and came empty-handed. When asked why such books weren’t available, a county librarian said, “I guess these people haven’t thought enough of themselves to write their story.

Dismayed, Dr Fields was motivated to begin collecting primary sources from Overtown’s pioneers, photographs and letters to advertisements, which documented a thriving business and cultural community.

“As a historian specializing in public history, I use lessons from the past to provide a glimpse into the future,” she says. “It brings me joy and a greater desire to reach more young people, to encourage them to prepare to be part of this important endeavor – to be part of Miami’s transformation with a helping hand, not a helping hand. hand.”
For decades, as a resident historian of the HistoryMiami Museum, Paul George has brought history to life with popular walking, coach and boat tours filled with memorable anecdotes about neighborhoods, landmarks and landmarks. historic South Florida.

He was also a narrator and lead actor in a landmark Miami News / Freedom Tower documentary produced by WLRN Television. The documentary was selected as the best film in its category by the Florida Motion Picture Archives Louis Wolfson II in 2004.

While such activities have given Dr George a public image, they represent only a small part of his work as a historian. He organizes exhibitions, writes books and articles, gives lectures. He has taught history at several colleges and universities, most recently at Miami Dade College.

An indifferent student by his own admission, Dr George was inspired by a history teacher at Archbishop Curley High School. “He made it so alive with his lectures and his anecdotes,” he says. “Now I only have love for this discipline.

“History is important. It gives us a daily perspective on our world and everything that is happening. This can be a source of comfort as well as a warning to avoid taking certain paths that have not worked or caused disasters in the past. “

Preservation leader Enid C. Pinkney has worked aggressively to ensure that the role of African Americans in Miami’s history is recognized and preserved. As the first black president of the Dade Heritage Trust, she successfully fought to save a number of historically significant sites, from Hampton House, where black celebrities such as Nat King Cole, Malcolm X and Martin Luther King Jr. remained in Jim Crow’s day at Lemon City Cemetery.

This is another cemetery that sparked Ms. Pinkney’s zeal for preservation.

She was a schoolteacher when she attended a TV show filmed in the historic Miami City Cemetery in honor of the area pioneers who were buried there. They were all white.

“I knew black people were buried there, but they weren’t included,” she says. “I felt it had to be known, so I researched and found over 3,000 people buried there. It got me interested in what might be a forgotten part of our history. I realized that you have to know the foundation you are standing on and respect that.

Eventually, Ms. Pinkney was able to find 20 Black Miamians whose ancestors were buried in the Miami City Cemetery and get another show produced to honor them.

Historian Arva Moore Parks, whose book “Miami: The Magic City” is widely admired, died in 2020. In the “Miami Stories” archives of the HistoryMiami Museum, she left a tribute to the city and to the discipline that ‘she loved.

“How lucky I was to be born and grow up in Miami,” she wrote.

“Miami taught me to be open to change and to adapt to the unexpected. It taught me to accept people and welcome newcomers. It gave me a thirst to learn. When I first started writing the history of Miami and working to preserve its important places, I called on all of these memories of people, places and events to help me. When I write about Miami, I always include everyone in the story. Every day I realize more and more that there is no better place to live if you want to get off to a good start in America’s future and always have a great story to tell.


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Blue Origin’s Bezos Reaches Space on First Passenger Flight | archives, history and science, united states https://scandiccicultura.org/blue-origins-bezos-reaches-space-on-first-passenger-flight-archives-history-and-science-united-states/ https://scandiccicultura.org/blue-origins-bezos-reaches-space-on-first-passenger-flight-archives-history-and-science-united-states/#respond Tue, 20 Jul 2021 13:46:00 +0000 https://scandiccicultura.org/blue-origins-bezos-reaches-space-on-first-passenger-flight-archives-history-and-science-united-states/ VAN HORN, Texas (AP) – Jeff Bezos exploded in space on Tuesday during his rocket company’s first flight with people on board, becoming the second billionaire in just over a week to pilot his own spacecraft . The Amazon founder was accompanied by a hand-picked group: his brother, an 18-year-old Dutchman and an 82-year-old Texas […]]]>

VAN HORN, Texas (AP) – Jeff Bezos exploded in space on Tuesday during his rocket company’s first flight with people on board, becoming the second billionaire in just over a week to pilot his own spacecraft .

The Amazon founder was accompanied by a hand-picked group: his brother, an 18-year-old Dutchman and an 82-year-old Texas aviation pioneer, the youngest and oldest to ever fly in. space.

“Best day ever,” Bezos said after the capsule hit the desert floor at the end of the 10-minute flight.

Named after America’s first astronaut, Blue Origin’s New Shepard rocket took off from West Texas on the 52nd anniversary of the Apollo 11 moon landing, a date Bezos chose for its significance. historical. He stuck to it, even though Virgin Galactic’s Richard Branson pushed his own flight from New Mexico into the race for space tourism dollars and beat him in the space of nine days.

Unlike Branson’s piloted rocket plane, Bezos’ capsule was fully automated and required no official personnel on board for the top-to-bottom flight.

Blue Origin reached an altitude of about 66 miles (106 kilometers), more than 10 miles (16 kilometers) higher than Branson’s ride on July 11. The 60-foot (18-meter) booster accelerated to Mach 3 or three times the speed of sound to get the capsule high enough, before splitting apart and landing upright.

Passengers had several minutes of weightlessness to float around the spacious white capsule. The window-filled capsule landed under parachutes, with Bezos and his guests briefly experiencing nearly six times the force of gravity, or 6 G, on the way back.

Wally Funk, from the Dallas area, shared the adventure of Bezos’ dream come true, one of 13 female pilots who underwent the same tests as NASA’s all-male astronaut corps in the early 1960s but have never been in space.

The company’s first paying customer, Oliver Daemen, joined at the last minute the mysterious winner of a $ 28 million auction who opted for a later theft. The Dutch teenager’s father took part in the auction and agreed to an undisclosed lower price last week when Blue Origin offered his son the vacant seat.

Blue Origin – founded by Bezos in 2000 in Kent, Washington, near Amazon’s Seattle headquarters – has yet to open ticket sales to the public or reveal pricing. For the moment, it is a question of reserving the bidders. Two more passenger flights are planned by the end of the year, said Bob Smith, CEO of Blue Origin.

The recycled rocket and capsule that carried Tuesday’s passengers were used in the last two space demonstrations, company officials said.

Virgin Galactic already has over 600 reservations at $ 250,000 each. Founded by Branson in 2004, the company has sent crews into space four times and is planning two more test flights from New Mexico before launching customers next year.

Blue Origin’s approach was slower and more deliberate. After 15 successful unoccupied test flights in space since 2015, Bezos has finally said it’s time to get people on board. The Federal Aviation Administration agreed last week, approving the commercial space license.

Bezos, 57, also owner of the Washington Post, won the first seat. The next went to his 50-year-old brother Mark Bezos, investor and volunteer firefighter, then to Funk and Daemen. They spent two days together in training.

University of Chicago space historian Jordan Bimm said the roster of passengers was truly remarkable. Imagine if the head of NASA decided he wanted to launch in 1961 instead of Alan Shepard on America’s first space flight, he said in an email.

“It would have been unthinkable! Said Bimm. “” It shows how much the idea of ​​who and what for space has changed over the past 60 years. “

Bezos resigned earlier this month as CEO of Amazon and last week he donated $ 200 million to renovate the National Air and Space Museum. Most of the $ 28 million from the auction went to space advocacy and education groups, with the remainder going to Blue Origin’s Future Club, its own education effort.

Less than 600 people have reached the edge of space or beyond. Until Tuesday, the youngest was 25-year-old Soviet cosmonaut Gherman Titov and the oldest at 77 was Mercury astronaut-turned-commuter John Glenn.

Bezos and Branson both want to dramatically increase those overall numbers, as does SpaceX’s Elon Musk, who jumps brief jumps into space and sends his private clients directly into orbit for tens of millions each, with the first flight slated for September. .

Despite appearances, Bezos and Branson insist that they weren’t trying to outdo each other by bonding. Bezos noted this week that only one person can claim to be the first in space: Soviet cosmonaut Yuri Gagarin, who entered orbit on April 12, 1961.

“It’s not a competition, it’s about building a road to space so that future generations can do amazing things in space,” he said on “Today” from NBC.

Blue Origin is working on a massive rocket, New Glenn, to put payloads and people into orbit from Cape Canaveral, Florida. The company also wants to put astronauts back on the moon with its Blue Moon lunar lander project; he questions the awarding of the only NASA contract to SpaceX.

___

By MARCIA DUNN AP Aerospace Writer

The Associated Press’s Department of Health and Science receives support from the Howard Hughes Medical Institute’s Department of Science Education. The AP is solely responsible for all content.


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